Dramatists and Their Manuscripts in the Age of Shakespearse, Johnson, and Middleton by Grace Ioppolo

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Routledge Studies in Renaissance Literature and Culture

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The Physical Object
Number of Pages234
ID Numbers
Open LibraryOL7492217M
ISBN 100415339650
ISBN 109780415339650

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: Dramatists and their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood: Authorship, Authority and the Playhouse (Routledge Studies in Renaissance Literature and Culture) (): Grace Ioppolo: BooksCited by: This book presents new evidence about the ways in which English Renaissance dramatists such as William Shakespeare, Ben Jonson, Thomas Heywood, John Fletcher and Thomas Middleton composed their plays and the degree to which they participated in the dissemination of their texts to theatrical Price: $ This book presents new evidence about the ways in which English Renaissance dramatists such as William Shakespeare, Ben Jonson, Thomas Heywood, John Fletcher and Thomas Middleton composed their.

This book presents new evidence about the ways in which English Renaissance dramatists such as William Shakespeare, Ben Jonson, Thomas Heywood, John Fletcher and Thomas Middleton composed their plays and the degree to which they participated in the dissemination of their texts to theatrical audiences.

Dramatists and their manuscripts in the age of Shakespeare, Jonson, Middleton and Heywood: authorship, authority and the playhouse. [Grace Ioppolo] -- "This book presents new evidence drawn from manuscript and archival sources about the ways in which early modern dramatists such as William Shakespeare, Ben Jonson, Thomas Heywood, John Fletcher and.

Book/Film/Article review in Cambridge Quarterly Dramatists and their manuscripts in the age of Shakespeare, Jonson, Middleton and Heywood: Authorship, authority and the playhouse Research output: Contribution to journal › Book/Film/Article review. Dramatists and their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood: Authorship, Authority and the Playhouse By Grace Ioppolo By Grace Ioppolo (Routledge Studies in Renaissance Literature and Culture, 6.)Author: Tom Lockwood.

Synopsis This book presents new evidence about the ways in which English Renaissance dramatists such as William Shakespeare, Ben Jonson, Thomas Heywood, John Fletcher and Thomas Middleton composed their plays and the degree to which they participated in the dissemination of their texts to theatrical audiences.5/5(1).

With chapters on a wide range of familiar and lesser-known dramatists, including Thomas Kyd, Christopher Marlowe, Ben Jonson, John Webster, Thomas Middleton and John Ford, this book devotes particular attention to their personal and professional relationships, occupational rivalries.

He has written for numerous periodicals such as the Chronicle of Higher Education and the New York Times Book Review.

His more recent books include A Year in the Life of William Shakespeare, for which he won the Samuel Johnson Prize and the Theatre Book Prize. Dramatists and their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood by Grace Ioppolo Routledge Studies in Renaissance Literature and CultureBrand: Taylor And Francis.

Dramatists and their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood: Authorship, Authority and the Playhouse by Grace Ioppolo. Routledge SAuthor: Richard Rowland. Her publications include Dramatists and Their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood: Authorship, Authority and the Playhouse (), Revising Shakespeare (), and Shakespeare Performed: Essays in Honor of R.

Foakes (). Dramatists and their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood: Authorship, Authority and the Playhouse by Grace Ioppolo.

Routledge Studies in Renaissance Literature and Culture, £ ISBN 0 0 IN THE ADVANCE publicity for Grace Ioppolo's latest book.

A Yorkshire Tragedy, Thomas Middleton,King’s Men, Globe, Q1 () [STCFolger Shakespeare Library Copy] Other works cited Adams, Joseph Quincy, ‘ The Author-plot of an Early Seventeenth Century Play ’, The Library, 4th ser., 26 ( –), 17 –27Cited by: George Chapman (Hitchin, Hertfordshire, c.

– London, 12 May ) was an English dramatist, translator and was a classical scholar whose work shows the influence of n has been speculated to be the Rival Poet of Shakespeare's sonnets by William Minto, and as an anticipator of the metaphysical poets of the 17th century.

Chapman is best remembered for his Notable works: Bussy D'Ambois, translations of Homer. She is the author of Dramatists and Their Manuscripts in the Age of Shakespeare, Jonson, Middleton, and Heywood: Authorship, Authority, and the Playhouse () and Revising Shakespeare ().

She has edited Shakespeare’s King Lear for Norton and has published ntly in creating his play, along with two additional likely sources%(). English literature - English literature - Playwrights after Shakespeare: Shakespeare’s perception of a crisis in public norms and private belief became the overriding concern of the drama until the closing of the theatres in The prevailing manner of the playwrights who succeeded him was realistic, satirical, and antiromantic, and their plays focused predominantly on those two symbolic.

She has edited Shakespeare's King Lear for Norton and has published widely on textual transmission, the history of the book and literary and historical manuscripts, most recently as the co-editor of Elizabeth I and the Culture of Writing ().

She is the General Editor of The Collected Works of Thomas Heywood, forthcoming /5(K). She is the author of Dramatists and Their Manuscripts in the Age of Shakespeare, Jonson, Middleton, and Heywood: Authorship, Authority, and the Playhouse () and Revising Shakespeare ()/5(K).

Edward Knight (fl. – ) was the prompter (then called the "book-keeper" or "book-holder") of the King's Men, the acting company that performed the plays of William Shakespeare, Ben Jonson, John Fletcher, and other playwrights of Jacobean and Caroline drama.

In English Renaissance theatre, the prompter managed the company's performances, ensuring that they went according to plan; he. Dramatists and their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood: Authorship, Authority and the Playhouse.

(Routledge, ). Scott McMillin and Sally-Beth MacLean, The Queen’s Men and Their Plays (Cambridge University Press, ). Dramatists and their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood Authorship, Authority and the Playhouse Grace. She has edited Shakespeare's King Lear for Norton and has published widely on textual transmission, the history of the book and literary and historical manuscripts, most recently as the co-editor of Elizabeth I and the Culture of Writing ().

She is the General Editor of The Collected Works of Thomas Heywood, forthcoming She is the author of Dramatists and Their Manuscripts in the Age of Shakespeare, Jonson, Middleton, and Heywood: Authorship, Authority, and the Playhouse () and Revising Shakespeare /5(K).

She is the author of Dramatists and Their Manuscripts in the Age of Shakespeare, Jonson, Middleton, and Heywood: Authorship, Authority, and the Playhouse () and Revising Shakespeare /5(19). She is the author of Dramatists and Their Manuscripts in the Age of Shakespeare, Jonson, Middleton, and Heywood: Authorship, Authority, and the Playhouse () and Revising Shakespeare /5(2).

Grace Ioppolo, Dramatists and Their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood: Authorship, Authority and the Playhouse (London: Routledge, ). Google Scholar : William Proctor Williams. Despite its deficiencies, Stanley Wells Shakespeare & Co. is a useful little book.

Shakespeare & Co. is not the first book to place Shakespeare in conversation with his Early Modern contemporaries, and for that reason, it falls a little flat.

Nevertheless, Wells effectively communicates the broad and esoteric parameters of a dense genre of 4/5. The Shakespeare Company – Cambridge, Cambridge University Press, Hoy, Cyrus.

"The Shares of Fletcher and His Collaborators in the Beaumont and Fletcher Canon (IV)." Studies in Bibliography 12 (), pp. 91– Ioppolo, Grace. Dramatists and Their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood.

She is the author of Dramatists and Their Manuscripts in the Age of Shakespeare, Jonson, Middleton, and Heywood: Authorship, Authority, and the Playhouse () and Revising Shakespeare ()/5(2).

Dramatists and Their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood: Authorship, authority and the playhouse.

London, Routledge. Shakespeare, Jonson, and the Claims of the Performative by James Loxley,available at Book Depository with free delivery worldwide.

All in the Playwrights' Hands All in the Playwrights' Hands Rowland, Richard A LL I N TH E PL AY WRIGHTS’ HANDS 2 8 7 Richard Rowland Dramatists and their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood: Authorship, Authority and the Playhouse by Grace Ioppolo.

Routledge Studies in Renaissance Literature and Culture, £Author: Rowland, Richard. Dramatists and their Manuscripts in the Age of Shakespeare, Jonson and Middleton: Authorship, Authority and the Playhouse. London: Routledge, Jackson, H. Marginalia: Readers Writing in Books.

New Haven and London: Yale University Press, Johns, Adrian. The Nature of the Book: Print and Knowledge in the Making.

Chicago: University. Manuscripts and their Makers in the English Renaissance By Peter Beal and Grace Ioppolo London: The British Library, and Dramatists and their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood: Authorship, Authority and the Playhouse By Grace Ioppolo London and New York: Routledge, Project Director and Founder.

Grace Ioppolo is Professor of Shakespearean and Early Modern Drama in the Department of English and American Literature at the University of Reading. Her publications include Dramatists and their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood: Authorship, Authority and the Playhouse () as well as Revising Shakespeare () and.

This exciting Drama text, Dramatexts: Creative Practise for Senior Drama Students with eBookPLUS, explores the way Drama is 'jumping spaces' from theatre to film to cyberspace, and is now supported by eBookPLUS and gh it is based on the new senior Drama syllabus for Queensland, its cutting edge content will make it a sought-after resource for drama teachers everywhere.

This edition of The Honest Man's Fortune, a play co-written by John Fletcher, Nathan Field, and Philip Massinger for the Lady Elizabeth's Men in and revived for the King's Men inis the first diplomatic edition of one of the most remarkable dramatic manuscripts of the early modern period.

Almost uniquely, the fair-copy manuscript records the entire process of the circular. Grace Ioppolo, Dramatists and Their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood, p Most authors, including dramatists, used both a separate secretary and an italic hand; in many cases the secretary hand was used for composing (that is, cursive or fluent) writing and italic for more formal copying.

: Measure for Measure (First Edition) (Norton Critical Editions) () by Shakespeare, William and a great selection of similar New, Used and Collectible Books available now at /5(K).Grace Ioppolo, Dramatists and their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood: Authorship, Authority and the Playhouse (Routledge, ) [RAE output: of at least 2* quality] Shakespeare Performed, ed.

Grace Ioppolo (University of Delaware Press, ). In her book, Grace Ioppolo challenges this widely accepted formulation on the basis of what she teases out of her reading of the Henslowe-AIleyn papers, surviving play manuscripts, and other documents (e.g., the late s dispute between .

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